16th Annual REVUE Photo Issue – January 2019
Welcome to our 16th Annual Photo Issue.
For all these years that we have been highlighting Guatemala through photography, we are still in awe as new and spectacular images keep coming in. This year is no exception in that there are new and exceptional photographs gracing our pages this month.
We are grateful to the talented photographers who have shared their favorite photos with us so that we can share them with you.
It’s nice to take a few minutes and just enjoy looking at Guatemala through the camera lens. Our best wishes for you in 2019, and we hope you enjoy these photographs.
- “Cerro Mocohán” by Germán Velásquez
- “Mi Foto Favorito” by Amilcar Ivan Ramírez
- “Buying sweets” by Axl Barrundia
- “Cobanera Hermosa” by Zoila Esperanza Díaz Flores
- “Pride” by Terencio Tiul Fernández
- “Acatenango Nocturno” by Gloria González
- “Linda Gatita” by Jorge M Reyes
- “La Esquina” by Carlos Alvarado
- “A Quiet Moment” by Melba Milak
- “Barriletes Gigantes de Sumpango” by Byron Lux
- “Trabajo y Belleza” by Julio César Ixcol Mucun
- “Teamwork” Patzún, by Robin Schmid
- “A moment in time” by Edgar Rolando Tujab Calel
- “Cueva Chicoy” by Germán Velásquez
- “Finca Pastores” by Merrilee Fellows
- “Pesca Tradicional” by Jesús Figueroa
- “Sunset at Panajachel” by Luis Alpirez
- “El Paisaje que cura todo mal” Semuc Champey, Alta Verapaz, by Lo Reyes
- “One day in San Felipe” by Christiane Dechert
- “At the Mercado” by Lucas Xuruc G
- “Monumentalmente Iluminado” by Jaime Barrientos Motalvo
- “Iglesia La Merced” by Rosa Aguilar
- “Una selfie para el recuerdo” by Emilio Vásquez Robles
- “Dockside” by Joga Altube
- “Obla di – Obla da” Chichicastenango by Erwin Pelaez
- “Hard at play” by José Mendía
- “Street View” by Axel Morales
- “Portrait” by Gael Chinchilla
- Sucel Escobedo
- “Running with the wind” San Antonio Palopó, by Elizabeth Herrera
- “Desde mi cabaña” Quetzaltenango by Pahola Morales
- “Walking up the hill into Santa Lucía MA after coming off the bus” by Bill Fairbaim
- “Home Port” by Pablo Jelkman